ShotDock captures, annotates and uploads your screen in seconds — and it packs tools you normally only find in a photo editor: erase objects and rebuild the background, remove dust specks, clone, warp and dodge. Native to Apple Silicon and under 5 MB.
Each one has its own letter, like in Photoshop or Figma. Learn them once and you never leave the keyboard. And every tool remembers its width, size and color: the last ones you gave it, even after quitting the app.
They are grouped by family and each button keeps the last one you used, so the bar fits on a 13-inch MacBook without hiding anything. What you do to the image lives up top; what you do with it — size, copy, save, upload — lives down below.
⇧⌘0 area, ⇧⌘9 window, ⇧⌘8 screen — and the same keys with ⌃⌘ to record them. When you are done, Esc copies and closes, ↩ saves the file and ⌘↩ uploads it and leaves the link on your clipboard. All three close the window.
The ShotDock cloud, with nothing to set up — or your own S3 bucket, with no middleman and no quota. You switch between them from the menu bar, and the button always tells you where what you are about to upload is going.
Every stroke is one step. ⌘Z and ⇧⌘Z work on everything, including the tools that rewrite pixels — and without losing the zoom you were working at.
Zoom with ⌘+ or the trackpad and retouch pixel by pixel. The brush is measured on screen, so zooming in genuinely makes it finer.
If an arrow or a callout runs off the edge, ShotDock widens the image instead of clipping your annotation.
Interface, alerts and updates in English or Spanish, switchable anytime. Made in Mexico, with no half-done translations.
These aren't filters: they're the same techniques a professional editor uses, running on your screenshot the moment you take it. Drag the divider to compare.
Paint over a watermark, a logo or an object and ShotDock reweaves what was behind it, copying patches from the background itself, matching the grain and stitching the seam so no step in tone is left behind.

Sweep the brush over an area and ShotDock finds the dark specks inside it and fills each one separately, as if you had erased them one by one. Anything large and dark —a shadow, an object— never even notices.

It measures the histogram, the white balance and the percentiles of your image and derives the adjustments from that: black and white points, gamma, shadows, an S-curve and saturation. All in one pass, and it tells you in the toolbar what it did.

Click to pick where to copy from, then paint the copy wherever you want. Two circles on screen show you where each stroke is coming from.
Stretches the image behind the brush. It always resamples from the original, so it never turns to mush no matter how many passes you make.
Click and hold: the area shrinks toward the center or bloats, and the effect grows while you hold. ⌥ inverts. Resamples from the original, like Warp.
With a tonal range like Pixelmator's: everything, highlights, midtones or shadows. ⌥ flips it without switching tools.
Number things with a click —1, 2, 3— and the counter keeps count on its own. Blow up a detail with the magnifier without cropping the shot. And when the screen shows a tax ID, a card number or an email, pixelate or blur that piece and move on.


Mark the bit that matters and ShotDock blows it up in a panel joined by a line, placed on its own on the first side where it fits. From 1.5× to 6×, and the panel drags separately from the source.

Not a wish list: every one of them is in there today and you can try it in five minutes.
You sweep an area and every speck is filled in on its own, telling a speck from an accent. No other screenshot editor has it.
Photo-editor tools on your screenshot, with tonal range and every stroke as its own undo step.
⌘E reads the histogram and fixes light, whites, contrast and colour in one pass — no trained model, and your image never leaves your Mac.
You pick the resolution. macOS records in Retina pixels and hands you a feature film for something that will end up in a chat.
If an arrow or a callout runs off the edge, the image grows. Everywhere else, whatever sticks out is lost.
The same as a Shottr licence — with video, webcam and share links included — and a third of CleanShot X. No renewal and no account to create.
macOS records in real pixels: on a Retina Mac a 1280-point window comes out at 2560 px and weighs like a movie. But that video almost always ends up in a chat, an issue or a web page, where nobody will see more than 1080p. ShotDock lets you choose the output resolution — and by default it records at half of what macOS would record.
Only the frames where the screen actually changes get recorded, so a still demo weighs almost nothing. And those 59 KB were measured in the app, not calculated: it is a real file. The 50 fps setting is for tutorials — at 30 the cursor stutters, and 60 weighs a third more without looking any better.
Almost everything you capture ends up pasted into a chat, an issue or an email. That is what ShotDock’s own cloud is for: you upload and the link is already on your clipboard — no bucket to create, no keys to paste. And if you would rather your screenshots lived on your own server, that is there too — same app, one setting.
Links cannot be guessed, and nothing is kept forever: each one has an expiry date and deletes itself. That is privacy, and it is what keeps the service cheap. The yearly plan is bought from inside the app, under Preferences → Upload, because it attaches to your licence. Or would you rather nothing ever expired? Point ShotDock at your own bucket: it is free, it is yours, and nobody else knows what you upload.
We will tell you straight, even when the answer is not the one that suits us.
Your own bucket costs you cents a month and it is the better option — which is why it is included, free and uncapped. What it costs you there is not money: it is the afternoon spent creating the bucket, the user, the permission policy, the public-access block and the domain. With the ShotDock cloud that is zero steps.
A ten-minute tutorial weighs about 350 MB. Watched by 30 people that is 10 GB of egress. Amazon gives you the first 100 GB a month and then charges $0.09 per GB: thirty tutorials like that a month come to $324 a year. The ShotDock cloud is $19, however many people watch.
On Amazon you pay for what gets downloaded, so a screenshot that catches on in the company Slack raises your bill. Not here: it is $19 a year, full stop. And that free 100 GB is for your whole AWS account — if you already use it for something else, there is none left.
Three shortcuts that skip the editor entirely: you point, and what you needed is already on the clipboard.
A PDF that won't let you select, a video, a screenshot someone sent you on WhatsApp, an error in somebody else's terminal. Drag over the piece and the text goes to your clipboard, accents intact and lines in order. It runs on your Mac with the same engine as Live Text: nothing goes online.
CONTRATO DE PRESTACIÓN DE SERVICIOS Entre la empresa EXDOO LLC, representada en este acto por su apoderado legal, y el CLIENTE, ambas partes convienen en celebrar el presente contrato al tenor de las siguientes declaraciones y cláusulas.
The actual OCR output on the scanned document above, verbatim — accents and all.
It freezes the screen and gives you a loupe with the pixel grid and the code on top. Click and the hex is on your clipboard — and it also becomes the annotation colour, which is what half of us wanted it for anyway.
#RRGGBB, ready to paste into CSS or FigmaYou pick the area, scroll by hand and ShotDock stitches whatever shows up. It doesn't send scroll events to the other app —that needs Accessibility permission and breaks on any unusual view—: it just watches and appends what nobody had seen yet.
List prices checked in October 2026. The other apps' features come from what their own sites advertise; if something changed, tell me and I'll fix it.
| ShotDock | Shottr | CleanShot X | Snagit | macOS Screenshot | |
|---|---|---|---|---|---|
| Pricing | $12 | $12 · usable free, with nag prompts after 30 days | $35 | Yearly subscription | Free |
| Model | One-time, lifetime | One-time | One-time + $19/yr for updates | Yearly subscription per user | Bundled |
| Erase objects and refill the background | Yes | Yes | No | Yes | No |
| Remove dust specks in one sweep | Yes | No | No | No | No |
| Clone, warp, dodge/burn | Yes | No | No | No | No |
| Automatic image enhancement | Yes | No | No | No | No |
| Annotations, numbered steps, magnifier | Yes | Yes | Yes | Yes | Basic markup only |
| Stickers and emoji | 638, recent ones one click away | No | No | Its stamps | No |
| Pixelate and blur | Yes | Yes | Yes | Yes | No |
| Upload to your own S3 | Yes, or to the ShotDock cloud | Yes | Vendor's own cloud | Screencast.com | No |
| Scrolling capture (long pages) | Yes | Yes | Yes | Yes | No |
| OCR and colour picker | Yes | Yes | Yes | Yes | Live Text only |
| Screen recording | Yes: area, window or screen, with audio | No | Yes | Yes | Yes, no settings |
| Your camera over the video | Yes: circle or rectangle | No | Yes | Yes | No |
| Spanish and English | Both, switchable | English only | English only | Yes | Yes |
No subscription, no account, no update renewal. You pay once and the licence is yours, including the versions still to come.
Rather try it first? Download ShotDock and use it with no feature limits; the licence is asked for later.
Yes. Once, and the licence never expires. Updates arrive on their own inside the app and are not charged separately.
On up to 3 of your Macs with a single key: enter it on each one and you're done.
If you switch computers, release the old one from Preferences › Licence and the slot frees up.
No account needed: save to your disk or copy to the clipboard and you are done. To share by link there are two roads and you pick: the ShotDock cloud, which asks you to configure nothing, or your own S3 bucket with your keys, which stay in your Mac’s keychain and never leave it.
With your own bucket, no: the app talks straight to your provider and we never see the file or the link. With the ShotDock cloud the file travels from your Mac straight to Backblaze; our server only hands out the upload permit, a few kilobytes good for one file and five minutes. The bucket keys never reach your Mac, which is what stops anyone extracting them from the app.
S3 is the standard way to keep loose files on the internet and fetch them by a web address. Amazon invented it, but almost everyone speaks it now — Backblaze B2, Cloudflare R2, Wasabi, DigitalOcean, or a MinIO on your own server — so a single option in the app works with any of them.
SSH was ruled out for three reasons, and the first is security. An SSH key opens the whole machine: if someone pulls it off your Mac, they are inside your server. An S3 key can be limited to one bucket, to writing only, and revoked in one click without touching anything else.
Second: SSH leaves the file on a disk, but gives you no address. For the link to work you would also need a web server, folder permissions, public paths and a domain — that is, building by hand what S3 already gives you.
And third: an S3 service takes a link being opened a thousand times and leans on a CDN; a small VPS over SSH falls over. If you still want your own server, there is MinIO: S3-compatible, you install it on your machine and ShotDock talks to it just the same.
Because nothing free lasts forever without somebody paying for it. Keeping everything eternally means charging more to the people who barely use it. With an expiry date the cost has a ceiling and the price stays low. It is privacy too: a work screenshot rarely needs to still be online two years later. On the yearly plan you choose between 7, 30, 90 and 365 days; and if you want nothing ever to expire, that is what your own bucket is for.
The cloud stays alive until the date you paid for; nothing is cut off halfway. When it lapses, your account falls back to what the licence includes — 5 uploads a day — and whatever is already up stays until its own deadline. The app is never crippled: the licence is yours and every tool keeps working, cloud or no cloud.
macOS 14 (Sonoma) or later, on an Apple Silicon Mac. The download is 1.6 MB and the installed app about 5 MB. The first time it asks for screen recording permission, which is what macOS requires in order to capture.
Yes, commercial use is allowed.
Take it, clean it, annotate it, share the link. Three seconds and two keys.
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